| AFRICAAM 152** | W.E.B. DuBois as Writer and Philosopher | Anderson, M. Elam | Spr |
| ARTHIST 248 | Futurisms | Schnapp, Gough | Win |
| ARTHIST 444* | Photograph, Document, Archive | Gough | Win |
| CHINLIT 251 | China and the World: Aesthetics, Ethics, and Literature | Wang | Aut |
| CLASSGEN 101 | Stoics and Epicureans | Staff | Aut |
| CLASSHIS 133/333* | Classical Seminar: Origins of Political Thought | Ober | Win |
| CLASSGEN 163 | Texts in History: Classics from Greece to Rome | Rehm | Win |
| COMPLIT 101 | What is Literature? | Palumbo-Liu | Aut |
| COMPLIT 115/215 | Nabokov | Greenleaf | Spr |
| COMPLIT 119/219 | Dostoevsky and His Times | Frank | Win |
| COMPLIT 123 | The Novel, The World | Moretti | Spr |
| COMPLIT 151 | Theories of Poetic Life | Klinger | Win |
| COMPLIT 211 | Albert Camus and Jean-Paul Sartre | Gumbrecht | Win |
| COMPLIT 215A | Gottfried Benn and Francis Ponge | Gumbrecht | Aut |
| COMPLIT 216 | Petrarch and Petrarchism | Schnapp | Aut |
| COMPLIT 221 | Memory, History, and the Contemporary Novel | Eshel/White | Spr |
| COMPLIT 233 | Baroque and Neobaroque | Greene | Win |
| COMPLIT 235 | Staging Knowledge | Lachmayer | Spr |
| COMPLIT 238 | Futurisms | Schnapp, Gough | Win |
| COMPLIT 242A | China and the World: Aesthetics, Ethics, and Literature | Wang | Aut |
| COMPLIT 250 | Literature, History, and Representation | Boyi | Win |
| COMPLIT 303D* | Thinking in Fiction | Bender | Aut |
| COMPLIT 324* | Landscapes of the Sublime | Cohen | Win |
| DRAMA 152/358C | Beckett | Phelan | Spr |
| DRAMA 161R | Texts in History: Classics from Greece to Rome | Rehm | Win |
| ENGL 152D** | W.E.B. DuBois as Writer and Philosopher | Anderson, M. Elam | Spr |
| ENGL 180 | The Bible as Literature | Karnes | Aut |
| ENGL 183R | Roland Barthes | Rovee | Spr |
| ENGL 184 | The Novel, The World | Moretti | Spr |
| ENGL 184D | Texts in History: Enlightenment to the Modern | Staveley | Aut |
| ENGL 184L** | Confessions: Writing and Reading the Self | Lerer | Aut |
| ENGL 233 | Baroque and Neobaroque | Greene | Win |
| ENGL 303D* | Thinking in Fiction | Bender | Aut |
| FEM 103/203 | Feminist Theories and Methods across Disciplines | Longino | Aut |
| FRENGEN 204 | Love Songs | Galvez | Aut |
| FRENGEN 211 | Albert Camus and Jean-Paul Sartre | Gumbrecht | Win |
| FRENGEN 215 | Gottfried Benn and Francis Ponge | Gumbrecht | Aut |
| FRENLIT 248 | Literature, History, and Representation | Boyi | Win |
| FRENLIT 256 | Mind and Body in 20th-Century French Fiction | Wittman | Spr |
| FRENGEN 265 | The Problem of Evil in Literature, Film, and Philosophy | Dupuy | Spr |
| FRENLIT 293A | Topics in French Literature and Philosophy | Serres | Aut |
| FRENLIT 293B | Topics in French Literature and Philosophy | Serres | Spr |
| FILMSTUD 102/302 | Theories of the Moving Image | Ma | Spr |
| GERGEN 144/244 | Germanic Theologies | Pourciau | Aut |
| GERGEN 148/248 | A Brief History of Misogyny |
Daub | Spr |
| GERLIT 215A | Gottfried Benn and Francis Ponge | Gumbrecht | Aut |
| GERGEN 230 | Truth in Art | Dornbach | Aut |
| GERLIT 246 | Memory, History, and the Contemporary Novel | Eshel/White | Spr |
| GERLIT 250B | German Romanticism and Its Repercussions | Dornbach | Win |
| GERLIT 250C | Postwars: German Culture and Thought from 1945 to the Present | Eshel | Spr |
| GERGEN 312* | The Invention of Experience | Dornbach | Spr |
| HIST 132A | Enlightenment and the Arts | Lougee Chappell | Aut |
| HIST 223 | Art and Ideas in Imperial Russia | Crews | Win |
| HIST 282B | Islamic Thought and Culture in Pre-Modern Middle East, 800-1800 | Yilmaz | Win |
| HIST 317* | Medieval Seminar | Buc | Spr |
| HIST 334* | Enlightenment Seminar | Baker | Win |
| HUM 100 | Text and Context in Humanities | Freidin, Staveley | Win |
| HUM 161 | Texts in History: Classics from Greece to Rome | Rehm | Win |
| HUM 163 | Texts in History: Enlightenment to the Modern | Staveley | Aut |
| HUM 197F** | Tolstoy's Anna Karenina and the Social Thought of its Time | Freidin | Spr |
| HUM 196S | Contemporary Religious Reflection | Sockness | Aut |
| HUM 321* | Classical Seminar: Origins of Political Thought | Ober | Win |
| HUM 322* | Medieval Seminar | Buc | Spr |
| HUM 323* | Renaissance/Early Modern Seminar | Barletta | Spr |
| HUM 334* | Enlightenment Seminar | Baker | Win |
| HUM 325* | Modern Seminar | Anderson | Spr |
| ITALGEN 204 | Love Songs | Galvez | Aut |
| ITALGEN 238 | Futurisms | Schnapp, Gough | Win |
| ITALGEN 264E | Petrarch and Petrarchism | Schnapp | Aut |
| MUSIC 251 | Music, the Brain, and Human Behavior | Berger & Menon | Win |
| MUSIC 312A* | Aesthetics and Criticism of Music, Ancients and Moderns | Berger | Win |
| MUSIC 312B* | Aesthetics and Criticism of Music, Contemporaries | Berger | Spr |
| OSPMADRD 50 | Flirting with Spanish Metafiction | Tejerina-Canal | Spr |
| OSPPARIS 107Y | The Age of Cathedrals | Deremble | Aut |
| OSPSANTG 10 | Borges and Argentina | Missana | Win |
| PHIL 137/237 | Wittgenstein | Hills | Spr |
| PHIL 153 | Feminist Theories and Methods across Disciplines | Longino | Aut |
| PHIL 173A** | Aesthetics: Metaphor across the Arts | Hills | Aut |
| PHIL 184B | Philosophy of the Body | Maguire | Spr |
| PHIL 193H | The Art of the Movies | Hills | Aut |
| PHIL 194L** | W.E.B. DuBois as Writer and Philosopher | Anderson, M. Elam | Spr |
| PHIL 325* | Modern Seminar | Anderson | Spr |
| POLISCI 130C | History of Political Thought III | Stone | Spr |
| POLISCI 230A* | Classical Seminar: Origins of Political Thought | Ober | Win |
| POLISCI 338E* | The Problem of Evil in Literature, Film, and Philosophy | Dupuy | Spr |
| RELIGST 62 | Philosophy of Religion | Gelber | Aut |
| RELIGST 108 | The Mahabharata | Hess | Win |
| RELIGST 124 | Sufi Islam | Bashir | Aut |
| RELIGST 127A | Kabbalah | Fonrobert, Radwin | Aut |
| RELIGST 183 | The Death of God | Sheehan | Win |
| RELIGST 238 | Christian Neo-Platonism | Staff | Win |
| RELIGST 240/340 | Contemporary Religious Reflection | Sockness | Aut |
| SLAVGEN 145/245 | Age of Experiment: From Pushkin to Gogol | Fleishman | Aut |
| SLAVGEN 146/246 | History and Other Theories of Time and Action in the Great Russian Novel | Greenleaf | Win |
| SLAVGEN 147/247 | The Age of War and Revolution | Fleishman | Spr |
| SLAVGEN 151/251 | Dostoevsky and his Times | Frank | Win |
| SLAVGEN 155/255 | Anton Chekhov and the Turn of the Century | Safran | Spr |
| SLAVGEN 156/256 | Nabokov and Modernism | Greenleaf | Win |
| SLAVGEN 190/290** | Tolstoy's Anna Karenina and the Social Thought of its Time | Freidin | Spr |
| SPANLIT 293E | Baroque and Neobaroque | Greene | Win |
| SPANLIT 323* | Renaissance/Early Modern Seminar | Barletta | Spr |
ART 144A/344A |
Apollinaire’s Avant Gardes |
Merjian |
Aut |
ART 145/345 |
European Modernism and the International Avant Gardes |
Gough |
Aut |
ART 149/349 |
Art Between the Wars |
Gough |
Spr |
ART 443A* |
Untimely Aesthetics |
Merjian |
Spr |
CLASS 94 |
Ethics of Pleasure |
Peponi |
Spr |
CLASS 22N |
Technologies of Civilization |
Netz |
Spr |
CLASS 237* |
Augustine on the Body |
Nightingale |
Spr |
CLASS 321* |
Classical Seminar |
Nightingale |
Aut |
COMP 101 |
What is Literature? |
Nightingale |
Spr |
COMP 119/219 |
Dostoevsky and His Times |
Frank |
Win |
COMP 122 |
Literature as Performance |
Gumbrecht |
Win |
COMP 154 |
Heidegger on Hölderlin |
Gumbrecht |
Aut |
COMP 157 |
Imitation of Life |
Gelder |
Win |
COMP 214/314 |
Thomas Mann |
Berman |
Win |
COMP 321* |
Present Pasts: History, Fiction, Temporality |
Eshel/White |
Win |
COMP 334* |
German Romanticism |
Bohrer |
Spr |
COMP 337* |
Augustine on the Body |
Nightingale |
Spr |
COMP 352* |
Decadence and Vitalism |
Bohrer |
Spr |
CSRE 196C |
Intro to CSRE |
Moya, Marcus |
Win |
DRAMA 187Q |
Stage in Dialogue with History |
Weber |
Aut |
DRAMA 301* |
Performance and Performativity |
Staff |
Win |
DRAMA 343* |
Guy Debord |
Apostolidès |
Aut |
DRAMA 358C* |
Beckett |
Phelan |
Win |
ENG 136B |
S. T. Coleridge and Romantic Genius |
Gigante |
Win |
ENG 176 |
Science Fiction |
Heise |
Spr |
ENG 183F |
Contemporary Critical Theory |
Majumdar |
Spr |
ENG 184 |
The Novel, The World |
Moretti |
Spr |
ENG 184C |
Texts in History: Med. to Early Mod. |
Brooks |
Win |
ENG 219 |
Representation and Repression in Fiction |
Woloch |
Win |
ENG 270 |
From Plato to Postmodernism |
Evans |
Win |
ENG 370A* |
Medieval Seminar |
Steidle |
Win |
ENG 389B* |
Beckett |
Phelan |
Win |
FILM 115/315 |
Documentary Issues and Traditions |
Krawitz |
Aut |
FRENGEN 122 |
Literature as Performance |
Gumbrecht |
Win |
FRENGEN 163 |
Texts in History: Enlt. to Present |
Edelstein |
Spr |
FRENGEN 203 |
Dare (Not) to Know |
Edelstein |
Win |
FRENGEN 207 |
Existentialist Fiction |
Harrison |
Spr |
FRENGEN 247E |
Fictions of the Self |
Landy |
Aut |
FRENLIT 261 |
Framing the Aesthetic Experience |
Russo |
Aut |
FRENLIT 293A |
French Literature and Philosophy |
Serres |
Spr |
FRENGEN 290E |
Self-Deception in Literature, Film, and Philosophy |
Dupuy |
Win |
FRENGEN 325* |
Humanities Modern Seminar |
Apostolidès |
Win |
FRENGEN 343* |
Guy Debord |
Apostolidès |
Aut |
FRENGEN 354* |
Racine |
Gumbrecht |
Win |
GERLIT 148/248 |
Theories of Expression |
Pourciau |
Aut |
GERLIT 151/251 |
German Underworlds |
Pourciau |
Win |
GERLIT 154 |
Heidegger on Hölderlin |
Gumbrecht |
Aut |
GERLIT 163/263 |
Readings in 19th-c. German Literature |
Dornbach |
Aut |
GERGN 183/283 |
Scenarios of Dissolution in the Modern Novel |
Dornbach |
Spr |
GERLIT 195/295 |
The Culture of Reason and its Discontents |
Dornbach |
Spr |
GERGN 205/305 |
Technologies of the Self |
Douvaldzi |
Win |
GERLIT 206/306 |
Narrative, Visuality, Memory |
Douvaldzi |
Spr |
GERGN 267/367 |
Freud and the Apostle Paul |
Douvaldzi |
Win |
GERLIT 285/385 |
Thomas Mann |
Berman |
Win |
GERLIT 299 |
Present Pasts: History, Fiction, Temporality |
Eshel/White |
Win |
GERLIT 320* |
German Romanticism |
Bohrer |
Spr |
GERLIT 325* |
Decadence and Vitalism |
Bohrer |
Spr |
HISTORY 239D |
Capital and Empire |
Satia |
Spr |
HISTORY 309A* |
Colonial Force and the Postcolonial Subject |
Kumar |
Win |
HUM 100 |
Text and Context in Humanities |
Freidin |
Win |
HUM 162 |
Texts in History: Med. Early Mod. |
Brooks |
Win |
HUM 163 |
Texts in History: Enlt. to Present |
Edelstein |
Spr |
HUM 191S |
Capital and Empire |
Satia |
Spr |
HUM 193W |
Nietzsche, Doestoevsky, and Sartre |
Wood |
Aut |
HUM 196B |
Religion, Reason, and Romanticism |
Sockness |
Aut |
HUM 321* |
Classical Seminar |
Nightingale |
Aut |
HUM 322* |
Medieval Seminar |
Steidle |
Win |
HUM 323* |
Renaissance/Early Modern Seminar |
Brooks |
Spr |
HUM 324* |
Enlightenment Seminar |
Hadlock |
Aut |
HUM 325* |
Modern Seminar |
Apostolidès |
Win |
ITALGEN 207 |
Existentialist Fiction |
Harrison |
Spr |
ITALGEN 236E |
Purgatorio/Paradiso |
Harrison, Jacoff |
Win |
ITALGEN 353E* |
F. T. Marinetti and Futurism |
Schnapp |
Spr |
MTL 334A* |
Modern Tradition I |
Stacy |
Aut |
MTL 334B* |
Modern Tradition II |
Dupuy |
Win |
MUSIC 324H* |
Enlightenment Seminar |
Hadlock |
Aut |
OSPBER 24 |
Greek Tragedy and German Culture |
Rehm |
Aut |
OSPMOSC 25 |
Russian Short Stories |
Kurganova |
Aut |
OSPOXFRD 84 |
African Art and Writing Traditions |
Martinez-Ruiz |
Spr |
OSPPARIS 13 |
Naturalism versus Spiritualism in 19th-Century France |
Parsonnet |
Spr |
PHIL 135/235 |
Existentialism |
Anderson |
Spr |
PHIL 153 |
Feminist Methods and Theories |
Longino |
Win |
PHIL 173A |
Aesthetics: Metaphor |
Hills |
Spr |
PHIL 193W |
Nietzsche, Doestoevsky, and Sartre |
Wood |
Aut |
PHIL 223 |
Husserl |
Føllesal |
Aut |
PSYCH 25 |
Self Theories |
Dweck |
Aut |
PSYCH 134 |
Seminar on Language and Deception |
Clark |
Win |
PSYCH 155 |
Intro to CSRE |
Moya, Marcus |
Win |
RELIG 124 |
Sufi Islam |
Staff |
Aut |
RELIG 212 |
Chuang Tzu |
Yearley |
Win |
RELIG 227/327 |
The Qur’ân |
Sadeghi |
Aut |
RELIG 245 |
Religion, Reason, and Romanticism |
Sockness |
Aut |
RELIG 250 |
Classics of Indian Buddhism |
Harrison |
Spr |
RELIG 257/357 |
Readings in Daoist Texts |
Pregadio |
Spr |
RELIG 271B |
Dante’s Spiritual Vision |
Yearley |
Win |
RELIG 321* |
The Talmud |
Fonrobert |
Spr |
SLAVGN 145/245 |
Age of Experiment 1820-1850 |
Fleishman |
Aut |
SLAVGN 146/246 |
The Great Russian Novel |
Greenleaf |
Win |
SLAVGN 151/251 |
Dostoevsky and His Times |
Frank |
Win |
SPANLIT 114N |
Lyric Poetry |
Predmore |
Spr |
SPANLIT 125 |
The Forms of Wonder |
Arellano |
Win |
SPANLIT 249/349 |
Reading Cinema Today |
Staff |
Win |
| Course # | Title | Instructor | Qtr |
|---|---|---|---|
| ARTHIST 229A | Representing Reality | Kessler | Win |
| ARTHIST 234A | Harlem Renaissance | Marshall | Aut |
| ARTHIST 242A | The City and Surrealism | Merijan | Win |
| ARTHIST 410* | Aesthetics of the Icon | Pentcheva | Win |
| ARTHIST 507* | Medieval Image Theory | Pentcheva | Aut |
| ARTHIST 512* | The Time of the Object | Lee | Win |
| CLASSGEN 35 | Becoming Like God: Greek Ethical Thought | Nightingale | Win |
| CLASSGEN 53N | Are We Our Bodies? | Nightingale | Spr |
| CLASSGEN 114/214 | The Paradox of Seneca | Bobonich/Braund | Spr |
| COMPLIT 53N | Are We Our Bodies? | Nightingale | Spr |
| COMPLIT 115/215 | Nabokov and Modernism | Greenleaf | Spr |
| COMPLIT 119/219 | Dostoevsky and His Times | Frank | Spr |
| COMPLIT 251 | Space and the Modern Sublime | Cohen | Win |
| COMPLIT 256 | Heidegger and Poetry: Rilke, Trakl, Char | Mitchell | Spr |
| COMPLIT 259 | Self-Reflexivity Historicized | Gumbrecht | Win |
| COMPLIT 354A* | Literature of Affiliation | Palumbo-Liu | Spr |
| COMPLIT 357* | Surrealism to Structuralism | Cohen | Aut |
| DLCL 377* | Topics in Literature and Culture | Bohrer | Aut |
| DRAMA 303A* | Theory/Theater | Rayner | Win |
| DRAMA 317A* | Performance and Philosophy | Rokem | Aut |
| ENGLISH 183B | Problems in Literature and Ethics | Bourbon | Spr |
| ENGLISH 183C | Feminist Theory and Twentieth-Century Culture | Ngai | Spr |
| ENGLISH 183D | The Author as Problem | Ngai | Win |
| FILMSTUD 102 | Theories of the Moving Image | Levi | Aut |
| FILMSTUD 230 | Cinema and Ideology | Levi | Aut |
| FRENGEN 231 | Space and the Modern Sublime | Cohen | Win |
| FRENLIT 253 | Literature of Commitment: 19th-20th c. Fr. Novel | Richman | Spr |
| FRENLIT 255 | Céline: The Most Revolting Rebel | Picherit | Win |
| FRENGEN 259 | Self-Reflexivity Historicized | Gumbrecht | Win |
| FRENGEN 282 | Heidegger and Poetry: Rilke, Trakl, Char | Mitchell | Spr |
| FRENLIT 293A | Topics in French Literature and Philosophy | Serres | Win |
| FRENLIT 293B | Topics in French Literature and Philosophy | Serres | Spr |
| FRENGEN 357* | Surrealism to Structuralism | Cohen | Aut |
| GERGEN 168A/268A | Freud and the Enterprise of Psychoanalysis | Douvaldzi | Win |
| GERGEN 182/282 | Heidegger and Poetry in an Age of Technology | Mitchell | Spr |
| GERGEN 191A/291A | Oedipus/Hamlet/Moses: Archetypes of the Hero | Douvaldzi | Spr |
| GERLIT 196/296 | Idealist and Romantic Aesthetics | Dornbach | Aut |
| GERLIT 197/297 | Theories of Art after Idealism | Dornbach | Win |
| GERLIT 278/378 | Modernity as Succession: Imitation, Emulation, Influence | Dornbach | Spr |
| HIST 136B | European Thought and Culture in the 20th c. | Robinson | Spr |
| HIST 136D | European Intellectual History 1750-1860 | Oberle | Aut |
| HIST 203A | Theories of the State from Ancient World to Present | Baker/Sheehan | Win |
| HIST 255 | Martin Luther King Jr. | Carson | Aut |
| ITALLIT 127 | Inventing Italian Literature | Lummus | Aut |
| ITALLIT 289 | Italian Postmodernism | Ceserani | Spr |
| ITALLIT 365* | Italian Romanticism | Springer | Aut |
| LINGUIST 211 | Metrics | Kiparsky | Win |
| MUSIC 312A* | Aesthetics and Criticism of Music | Berger | Win |
| MUSIC 312B* | Aesthetics and Criticism of Music | Berger | Spr |
| OSPBEIJ 25 | Language, Culture, and Thought | Patent | Spr |
| OSPFLOR 17 | European Modernism and International Avant Gardes | Gough | Aut |
| PHIL 107/207 | Plato and Heraclitus | Moravcik | Spr |
| PHIL 114/214 | Paradox of Seneca | Bobonich/Braund | Spr |
| PHIL 134/234 | Phenomenology of Intersubjectivity | Scotland-Stewart | Aut |
| PHIL 137/237 | Wittgenstein | Hills | Win |
| PHIL 173A | Aesthetics: Metaphor across the Arts | Hills | Spr |
| PHIL 194L | Montaigne | Anderson | Aut |
| PHIL 195F | Shared Experience and the Experimental Actor | Scotland-Stewart | Spr |
| PHIL 332* | Nietzsche | Anderson | Spr |
| RELIGST 221/321 | The Talmud | Fonrobert | Win |
| RELIGST 227/327 | The Qur’an | Sadeki | Win |
| RELIGST 244 | The Young Augustine | Sheehan | Win |
| RELIGST 260 | Martin Buber: Philosopher, Theologian, Revolutionary | Sufrin | Aut |
| RELIGST 271A | Dante’s Spiritual Vision | Yearley | Aut |
| RELIGST 271B | Dante’s Spiritual Vision | Yearley | Win |
| RELIGST 275/375 | Kierkegaard and Religious Existentialism | Sockness | Win |
| RELIGST 278/378 | God, the Self, and Heidegger | Sheehan | Aut |
| SLAVGEN 145/245 | Age of Experiment 1820-1850 | Greenleaf | Aut |
| SLAVGEN 146/246 | The Age of Transgression: The Great Russian Novel | Safran | Win |
| SLAVGEN 151/251 | Dostoevsky and His Times | Frank | Spr |
| SLAVGEN 156/256 | Nabokov and Modernism | Greenleaf | Spr |
| SLAVLIT 269 | Pushkin | Greenleaf | Aut |
| SPANLIT 123 | The Struggle for Modernity | Sanjuan-Pastor | Spr |
| SPANLIT 213 | Spanish Cinema in the Second Half of the 20th Century | Resina | Win |
| SPANLIT 255 | Magical Realism: Gabriel García Márquez | Ruffinelli | Win |
| Department | Course # | Title | Instructor | Initial Year |
|---|---|---|---|---|
| ARTHIST | 126/326 | Post-Naturalist Painting | Marrinan | |
| ARTHIST | 129Y | Paris of the Surrealists | Lee | 2005 |
| ARTHIST | 145/345 | Making the Modern: European Art, 1890-1914 | Dickerman | |
| ARTHIST | 181B/281B | Seeing the Divine | Youso | 2006 |
| ARTHIST | 190/390 | African Art & Writing Traditions | Martinez-Ruiz | |
| ARTHIST | 191/391 | Afro-Atlantic Religion, Art, and Philosophy | Martinez-Ruiz | |
| ARTHIST | 211 | Humanistic Discourse on Art | Berdini | 2002 |
| ARTHIST | 212 | Michelangelo and the Aesthetics of the Unfinished | Berdini, Harrison | 2003 |
| ARTHIST | 222 | Chardin and Watteau | Marrinan | |
| ARTHIST | 241A | The Aesthetic of the Grotesque in the 20th c. | Makela | 2003 |
| ARTHIST | 243B | What was Conceptualism and Why has it not Gone Away? | Meltzer | 2005 |
| ARTHIST | 448 | Theories and Practices of Abstraction | Gough | |
| CASA | 113X | Political Anthropology from Rousseau to Freud | Dupuy | |
| CHINLIT | 167/267 | What Isn't an Author? | Rusk | 2006 |
| CHINLIT | 294 | Narrative: Choices and Constraints | Saussy | 2004 |
| CHINLIT | 372 | Literary Theory and the Necessary Fiction of Asia | Saussy | 2002 |
| CHINLIT | 381 | Early Chinese Thought | Lewis | |
| CLASSGEN | 50N | Journeys of the Mind | Nightingale | 2006 |
| CLASSGEN | 115/215 | Ancient Asceticism: Self-Improvement Practices in Greek, Roman, and Jewish Belief Systems | Gleason, Gregg, Kalleres | 2004 |
| CLASSGEN | 137 | The Greek Invention of Harmony and Proportion | Netz | 2004 |
| CLASSGEN | 151/251 | Ancient Politics: Practices of Citizenship in Greece and Rome | Connolly | 2002 |
| CLASSGEN | 151 | History of Ancient Political Thought | Connolly | 2003 |
| CLASSGEN | 171 | Philosophy and Tragedy | Nightingale | 2003 |
| CLASSGEN | 263 | A City Without Walls: Lucretius on the Body | Nightingale | 2006 |
| CLASSGEN | 307 | On Wondering and Wandering: "Theoria" in Greek Philosophy and Culture | Nightingale | 2002 |
| CLASSGEN | 310 | Literature and Culture in Republican Rome | Connolly | 2002 |
| CLASSGEN | 326 | The Rhetoric of Eros: Plato and Augustine | Nightingale | 2005 |
| COMPLIT | 50N | Journeys of the Mind | Nightingale | 2006 |
| COMPLIT | 101 | Critical Aesthetics, Thinking, and Feeling the Beautiful | Saldívar | |
| COMPLIT | 116Q | Western Philosophy and its Blind Spot | Gumbrecht | 2003 |
| COMPLIT | 118/218 | Dostoevsky and His Times | Frank | 2006 |
| COMPLIT | 119 | What Isn't an Author? | Rusk | 2006 |
| COMPLIT | 121/221 | Poetess: The Grammar of the Self when the Poet is a Woman | Greenleaf | 2006 |
| COMPLIT | 131N | Memory in the Modernist Novel | Douvaldzi | 2006 |
| COMPLIT | 136 | Does Literature Matter? | Gelder | 2004 |
| COMPLIT | 145S/245S | The Age of Experiment, 1820-50 | Greenleaf | 2004 |
| COMPLIT | 146/246 | The Age of Transgression: Russian Literature from Turgenev through Tolstoy | Greenleaf | |
| COMPLIT | 151A | Oedipus/Hamlet/Moses | Douvaldzi | 2006 |
| COMPLIT | 151S | Dostoevsky and his Times | Frank | 2005 |
| COMPLIT | 156/256 | Nabokov and Modernism | Greenleaf | 2004 |
| COMPLIT | 156D/256D | Nabokov and Modernism | Greenleaf | 2005 |
| COMPLIT | 172 | From Religion through Philosophy to Literature | Rorty | |
| COMPLIT | 175 | Philosophy's Place in Culture | Rorty | 2005 |
| COMPLIT | 182 | Narrative: Choices and Constraints | Saussy | 2003 |
| COMPLIT | 190S | Modernism and the Humanities: Tolstoy's Anna Karenina and the Social Thought of its Time | Freidin | 2003 |
| COMPLIT | 202 | Comparative Ethnic Autobiography | Palumbo-Liu | 2002 |
| COMPLIT | 210C | Petrarchism | Reiss | 2003 |
| COMPLIT | 212 | The History of Rhetoric | Lerer | 2002 |
| COMPLIT | 216C | Thinking Modernity: Montaigne to Port Royal | Reiss | 2003 |
| COMPLIT | 220 | Guillaume Apollinaire's Work and Life | Gumbrecht | 2004 |
| COMPLIT | 228 | Getting Through Proust | Landy | |
| COMPLIT | 229C | Literature and Modernity: Proust, Woolf, Dostoevsky, Shakespeare | Girard | 2003 |
| COMPLIT | 230F | Violence and Culture: Sophocles, Shakespeare, Racine, Christ | Girard | 2004 |
| COMPLIT | 231 | Denis Diderot | Gumbrecht | 2005 |
| COMPLIT | 234 | Ethics in a Time of Uncertainty | Palumbo-Liu | 2004 |
| COMPLIT | 243C | Deutsche Geistesgeschichte III: 20th c. German Thought | Berman | |
| COMPLIT | 246C | Kant's Critique of Judgment | Strum | 2003 |
| COMPLIT | 250A | Benjamin and French Modernism | Bohrer | 2004 |
| COMPLIT | 252A | Nietzsche: Aesthetics as Cultural Criticism | Bohrer | 2004 |
| COMPLIT | 253C | French Social Thought from Durkheim to Bordieu | Dupuy | |
| COMPLIT | 253E | F.T. Marinetti and Futurism | Schnapp | 2004 |
| COMPLIT | 255 | Brecht, Sartre, Adorno | Berman | 2003 |
| COMPLIT | 256E | Political Anthropology from Rousseau to Freud | Dupuy | 2005 |
| COMPLIT | 257 | Philosophy and Fiction | Dupuy | 2005 |
| COMPLIT | 276 | The European Novel: 1900-1950 | White | 2003 |
| COMPLIT | 284 | Philosophy and Poetry in 20th c. French and Italian Theory | Wittman | 2005 |
| COMPLIT | 288 | Decadence and Modernism from Mallarme to Marinetti | Wittman | 2005 |
| COMPLIT | 290C | Gustave Flaubert: Epistemology and Poetics of the 19th c. | Gumbrecht | 2003 |
| COMPLIT | 294 | Translation as Literary and Cultural History: Hermeneutics of Cultural Transfer | Mueller-Vollmer | 2005 |
| COMPLIT | 296G | Robert Musil's Novel: The Man without Qualities and the Tradition of Western Subject Philosophy | Gumbrecht | 2003 |
| COMPLIT | 299 | Present Pasts: History, Fiction, Temporality | Eshel, White | 2005 |
| COMPLIT | 300 | The Theory of the Text | White | |
| COMPLIT | 300B | The Bible and Literature | Parker | 2004 |
| COMPLIT | 303D | Thinking in Fiction | Bender | 2004 |
| COMPLIT | 303F | Core Colloquium: Institutions of Enlightenment | Baker, Bender | 2003 |
| COMPLIT | 304H | Romanticism and its Modern Legacies: Cultural Materialism, Critical Aesthetics, Experimental Poetics | Kaufman | 2005 |
| COMPLIT | 304H | Romanticism and its Modern Legacies: Cultural Materialism, Critical Aesthetics, Experimental Poetics | Kaufman | 2003 |
| COMPLIT | 307 | On Wondering and Wandering: "Theoria" in Greek Philosophy and Culture | Nightingale | 2002 |
| COMPLIT | 309N | Frankfurt School Aesthetics and Modern Poetry | Kaufman | 2004 |
| COMPLIT | 321 | Present Pasts: History, Fiction, Temporality | Eshel, White | 2006 |
| COMPLIT | 322 | Philosophy and Literature | Landy | 2003 |
| COMPLIT | 322A | Theories of the Novel | Cohen | 2006 |
| COMPLIT | 323 | The Stakes of Narrative | White, Eshel | 2004 |
| COMPLIT | 325 | Politics and Culture | Palumbo-Liu | |
| COMPLIT | 326 | The Rhetoric of Eros: Plato and Augustine | Nightingale | 2005 |
| COMPLIT | 326C | The Ethnic Bildungsroman and the Historical Novel | Saldívar | 2006 |
| COMPLIT | 333 | Rational and Irrational Choices: Literature and Being Together | Palumbo-Liu | 2005 |
| COMPLIT | 344 | Ethical Criticism: Postructuralism, Feminism, Psychoanalysis | Domanska | 2005 |
| COMPLIT | 349 | Hermeneutics | Mueller-Vollmer | 2003 |
| COMPLIT | 351 | Explanation/Interpretation | Moretti | 2006 |
| COMPLIT | 353 | The Theory of the Text | White | 2006 |
| COMPLIT | 358 | The Sublime and the Ugly | Gigante | 2006 |
| COMPLIT | 372 | Literary Theory and the Necessary Fiction of Asia | Saussy | 2002 |
| COMPLIT | 375 | Intellectuals, Literature, and Politics in France and the Francophone World | Boyi | 2002 |
| DRAMA | 159F | Shakespearean Dilemmas: Moral Choice in Classical and Renaissance Drama | Friedlander | 2005 |
| DRAMA | 242 | The Work of Art and the Creation of Mind | Staff | |
| DRAMA | 301 | From Theory to Criticism | Apostolides | 2005 |
| DRAMA | 304D | Classical Seminar | Rehm | 2006 |
| DRAMA | 305A | Varieties of Time | Rayner | 2006 |
| DRAMA | 358C | Beckett | Phelan | 2006 |
| EDUC | 200 | The Work of Art and the Creation of Mind | Staff | |
| ENGLISH | 105D | Shakespearean Dilemmas: Moral Choice in Classical and Renaissance Drama | Friedlander | 2005 |
| ENGLISH | 124B | Character and Inwardness from Defoe to Austen | Rovee | 2003 |
| ENGLISH | 135E | William Blake: Poet and Painter | Gigante | 2005 |
| ENGLISH | 144D | Modernist Poetry | Jenkins | 2005 |
| ENGLISH | 152D | W.E.B. DuBois and American Culture | Elam | 2006 |
| ENGLISH | 153 | The Literature of Sensibility and Madness | Gigante | 2002 |
| ENGLISH | 170 | Intro to Literary Theory and Critical Methods | Halliburton | 2003 |
| ENGLISH | 170C/270C | Intro to Critical Theory: Literary Theory and Criticism since Plato | Kaufman | 2004 |
| ENGLISH | 180 | Fiction and Truth | Bourbon | 2002 |
| ENGLISH | 180A | Truth, Fiction, and Interpretation | Bourbon | 2005 |
| ENGLISH | 181G | Keats, Shelley, and Modern Poetry and Poetics | Kaufman | 2005 |
| ENGLISH | 182A | Does Literature Matter? | Gelder | 2004 |
| ENGLISH | 183D | The Author as Problem | Ngai | 2005 |
| ENGLISH | 185 | Narrative Theory and the Emotions | Nair | 2006 |
| ENGLISH | 186D | Nabokov and Modernism | Greenleaf | 2005 |
| ENGLISH | 187 | Sem on Literature and the Institution of Literary Study | Greene | 2003 |
| ENGLISH | 212A | Gender and the History of Rhetoric | Lunsford | 2002 |
| ENGLISH | 229E | Literature and Modernity: Proust, Woolf, Dostoevsky, Shakespeare | Girard | 2003 |
| ENGLISH | 233 | The European Novel: 1900-1950 | White | 2003 |
| ENGLISH | 258 | Imagism | Jenkins | 2006 |
| ENGLISH | 279F | Finnegans Wake | Bourbon | 2005 |
| ENGLISH | 296 | Intro to Critical Theory: Literary Theory and Criticism since Plato | Kaufman | 2005 |
| ENGLISH | 304H | Romanticism and its Modern Legacies: Cultural Materialism, Critical Aesthetics, Experimental Poetics | Kaufman | 2005 |
| ENGLISH | 305H | Readings in Close Reading | Woloch | 2005 |
| ENGLISH | 309N | Frankfurt School Aesthetics and Modern Poetry | Kaufman | 2004 |
| ENGLISH | 334A | The Modern Tradition I | Moya | 2006 |
| ENGLISH | 340H | Romanticism and its Modern Legacies | Kaufman | 2003 |
| ENGLISH | 356A | Eliot and Stevens | Bourbon | 2004 |
| ENGLISH | 360E | The Stakes of Narrative | White, Eshel | 2004 |
| ENGLISH | 363D | Identity, Experience, and Knowledge in Feminist Theory | Moya | 2004 |
| ENGLISH | 363J | Aesthetic Theory | Ngai | 2005 |
| ENGLISH | 363P | The Author as Problem | Ngai | 2004 |
| ENGLISH | 366A | Explanation/Interpretation | Moretti | 2006 |
| ENGLISH | 366D | The Theoretical Toolkit | Saldivar | 2004 |
| ENGLISH | 366G | Poetic Thought | Bourbon | 2005 |
| ENGLISH | 378 | Emerson | Bourbon | 2006 |
| ENGLISH | 383 | The Sublime and the Ugly | Gigante | 2006 |
| ENGLISH | 384J | Romanticism and Science | Gigante | 2005 |
| ENGLISH | 388 | The theory of the text | White | 2004 |
| FILMSTUD | 142/342 | Film and Perceptual Experience | Bukatman | |
| FILMSTUD | 400 | Cinema and Surrealist Imagination | Levi | 2006 |
| FRENGEN | 47Q | Albert Camus: Novelist and Philosopher | Apostolidès | 2006 |
| FRENGEN | 128 | Science, Ethics, and Society | Dupuy | |
| FRENGEN | 227 | Samuel Beckett | Landy | 2005 |
| FRENGEN | 228E | Getting through Proust | Landy | |
| FRENGEN | 229E | Literature and Modernity: Proust, Woolf, Dostoevsky, Shakespeare | Girard | 2003 |
| FRENGEN | 230 | Violence and Culture: Sophocles, Shakespeare, Racine, Christ | Girard | 2004 |
| FRENGEN | 247E | Fictions of the Self: the First Person Narrative in Modern Europe | Landy | 2002 |
| FRENGEN | 248 | Theological Poets: Gods, Laws, and Rhythms in European Romanticism | Edelstein | 2005 |
| FRENGEN | 253E | French Social Thought from Durkheim to Bourdieu | Dupuy | |
| FRENGEN | 256E | Political Anthropology from Rousseau to Freud | Dupuy | 2005 |
| FRENGEN | 288E | Brecht, Sartre, Adorno | Berman | 2003 |
| FRENGEN | 284 | Philosophy and Poetry in 20th c. French and Italian Theory | Wittman | 2005 |
| FRENGEN | 288 | Decadence and Modernism from Mallarme to Marinetti | Wittman | 2005 |
| FRENGEN | 318E | Philosophy and Literature | Landy/Anderson | 2004 |
| FRENGEN | 327E | Expressions of Self in Early Modern Europe: Petrarch to Descartes | Reiss | 2002 |
| FRENGEN | 340 | Narrative, Memory, Materiality: Women's Sense of the Past | Domanska | 2006 |
| FRENGEN | 344 | Ethical Criticism: Postructuralism, Feminism, Psychoanalysis | Domanska | 2005 |
| FRENGEN | 356 | Theories of the Novel | Cohen | 2006 |
| FRENLIT | 210 | Petrarchism | Reiss | 2003 |
| FRENLIT | 216 | Thinking Modernity: Montaigne to Port Royal | Reiss | 2003 |
| FRENLIT | 217 | Renaissance Literature | Alduy | 2004 |
| FRENLIT | 220 | Guillaume Apollinaire | Gumbrecht | 2004 |
| FRENLIT | 231 | Denis Diderot | Gumbrecht | 2005 |
| FRENLIT | 236 | The World According to Jean-Jacques: Rousseau, Rousseauism, and Enlightenment | Edelstein | 2006 |
| FRENLIT | 245 | Writing Wrongs: Altruism and the Novelist in 19th-c. France | Richman | 2005 |
| FRENLIT | 246 | Gustave Flaubert: Epistemology and Poetics of 19th c. | Gumbrecht | 2003 |
| FRENLIT | 250 | When Poets Write Prose: 20th c. French Poetry | Alduy | 2005 |
| FRENLIT | 252 | Theater of the Absurd | Wittman | 2006 |
| FRENLIT | 256 | Mind and Body in 20th c. French Fiction | Wittman | 2005 |
| FRENLIT | 257 | Self-Deception in Literature and Philosophy: Putting Philosophy at the Risk of Narrative | Dupuy | 2005 |
| FRENLIT | 278 | Discourse of Self Representation | Boyi | 2004 |
| FRENLIT | 293A | Topics in French Literature and Philosophy | Serres | 2005 |
| FRENLIT | 293B | Topics in French Literature and Philosophy | Serres | 2005 |
| FRENLIT | 375 | Intellectuals, Literature, and Politics in France and in the Francophone World | Boyi | 2005 |
| GERGEN | 103A | 19th-Century Philosophy | Wood | 2006 |
| GERGEN | 121N | Memory in the Modernist Novel | Douvaldzi | 2006 |
| GERGEN | 168A/268A | Freud and the Enterprise of Psychoanalysis | Douvaldzi | 2005 |
| GERGEN | 191A/291A | Oedipus/Hamlet/Moses | Douvaldzi | 2006 |
| GERGEN | 192A/292A | Concord and Jena: The coming of Romanticism to America | Mueller-Vollmer | 2002 |
| GERGEN | 206/306 | Arts of Memory | Douvaldzi | 2006 |
| GERGEN | 228A | Kant's Critique of the Power of Judgment | A. Wood | 2005 |
| GERGEN | 235 | Antinomies of Bourgeois Life | Strum | 2004 |
| GERGEN | 241A | Deutsche Geistesgeschichte I | Mueller-Vollmer | |
| GERGEN | 242A | Deutsche Geistesgeschichte II | Strum | |
| GERGEN | 243A | Deutsche Geistesgeschichte III | Berman | 2003 |
| GERGEN | 272 | The Politics of the Humanities | Strum | 2006 |
| GERGEN | 288A | Brecht, Sartre, Adorno | Berman | 2003 |
| GERGEN | 300 | The Theory of the Text | White | 2006 |
| GERLIT | 125 | Romanticism | Eshel | 2004 |
| GERLIT | 131 | Enlightenment | Strum | 2004 |
| GERLIT | 131A | The Young Goethe | Strum | 2005 |
| GERLIT | 133C/233 | German Romanticism | Dornbach | 2006 |
| GERLIT | 181G | Keats, Shelley, and Modern Poetry and Poetics | Kaufman | 2005 |
| GERLIT | 193A | Theoretical Roots of Contemporary Criticism | Hussain | 2004 |
| GERLIT | 231 | Hegel's Aesthetics | Strum | 2005 |
| GERLIT | 234 | The Bildungsroman and Other Biographical Fictions | Douvaldzi | 2005 |
| GERLIT | 237 | Nietzsche | Anderson | 2004 |
| GERLIT | 237A/337 | 1800: The Creation of Aesthetic Modernism in Early German Romanticism | Mueller-Vollmer | 2006 |
| GERLIT | 241 | Deutsche Geistesgeschichte I | Staff | 2004 |
| GERLIT | 242 | Deutsche Geistesgeschichte II | Mueller-Vollmer | 2004 |
| GERLIT | 243 | Deutsche Geistesgeschichte III | Berman | 2004 |
| GERLIT | 246 | Kant's Critique of Judgment | Strum | 2003 |
| GERLIT | 264 | Rainer Maria Rilke: Poetry and Poetics | Mueller-Vollmer | 2002 |
| GERLIT | 283 | Intersubjectivity | Follesdal | 2004 |
| GERLIT | 287 | The European Novel: 1900-1950 | White | 2003 |
| GERLIT | 294 | Translation as Literary and Cultural History: Toward a Hermeneutics of Cultural Transfer | Mueller-Vollmer | 2005 |
| GERLIT | 296 | Robert Musil's Novel The Man Without Qualities and the Tradition of Western Subject Philosophy | Gumbrecht | 2003 |
| GERLIT | 299 | Present Pasts: History, Fiction, Temporality | Eshel, White | 2005 |
| GERLIT | 304H | Romanticism and its Modern Legacies: Cultural Materialism, Critical Aesthetics, Experimental Poetics | Kaufman | 2005 |
| GERLIT | 310 | Theorizing Experience | Dornbach | 2006 |
| GERLIT | 312A | Aesthetics and Criticism of Music: Ancients and Moderns: Plato to Nietzsche | Berger | |
| GERLIT | 312B | Aesthetics and Criticism of Music: Contemporaries: Heidegger to today | Berger | |
| GERLIT | 349 | Hermeneutics | Mueller-Vollmer | 2003 |
| HIST | 31 | Science, Technology, and Art: The Worlds of Leonardo | Findlen | 2006 |
| HIST | 102G | History of Ancient Political Thought | Connolly | |
| HIST | 105A | Intro to Medieval Culture | Staff | |
| HIST | 136A | European Thought and Culture in the 19th c. | Robinson | 2006 |
| HIST | 136B | European Thought and Culture in the 20th c. | Robinson | 2005 |
| HIST | 149 | African Intellectuals 1940-2000 | Jackson | |
| HIST | 213 | The Scientific Revolution | Findlen | |
| HIST | 213A/313A | New Worlds, Imaginary Worlds | Findlen | |
| HIST | 213C | Power and Knowledge in Renaissance Italy | Findlen | |
| HIST | 217D | Art and Ideas in 19th c. Russia | Crews | |
| HIST | 238A | Autobiography | Robinson | |
| HIST | 238B | Marx, Darwin, and Freud | Robinson | |
| HUMNTIES | 121 | The Alienated Self | Van Natta | 2006 |
| HUMNTIES | 193D | Camera Arts: Technologies and Values | Hills | 2004 |
| HUMNTIES | 193H | Recent European Philosophy: Between Nature and History | Hills | 2003 |
| HUMNTIES | 193L | Montaigne | Anderson | 2005 |
| HUMNTIES | 193Q | The Art of the Movies: Story, Drama, and Image | Hills | 2006 |
| HUMNTIES | 193X | Dialogues as Philosophy and Literature | Wood | 2002 |
| HUMNTIES | 193Z | Theoretical Roots of Contemporary Criticism | Hussain | 2004 |
| HUMNTIES | 194G | William Blake: Poet and Painter | Gigante | 2005 |
| HUMNTIES | 194K | Introduction to Critical Theory: Literary Theory and Criticism since Plato | Kaufman | 2004 |
| HUMNTIES | 194R | Problems in Literature and Ethics | Bourbon | 2002 |
| HUMNTIES | 194Z | Truth, Fiction, and Interpretation | Bourbon | 2006 |
| HUMNTIES | 196A | Theories of Religion | Eisen | 2004 |
| HUMNTIES | 196B | Religion, Reason, and Romanticism | Sockness | 2005 |
| HUMNTIES | 196T | Introduction to Heidegger | Sheehan | 2003 |
| HUMNTIES | 197F | Tolstoy's Anna Karenina and the Social Thought of its Time | Freidin | 2003 |
| HUMNTIES | 321 | Classical Seminar | Rehm | 2006 |
| HUMNTIES | 322 | Medieval Seminar | Gelber | 2006 |
| HUMNTIES | 323 | Renaissance / Early Modern Seminar | Brooks | 2006 |
| HUMNTIES | 324 | Enlightenment Seminar | Sockness | 2006 |
| HUMNTIES | 325 | Modern Seminar | Anderson | 2006 |
| ITALGEN | 235E | Inferno | Harrison | 2004 |
| ITALGEN | 236E | Purgatorio/Paradiso | Harrison | 2004 |
| ITALGEN | 247 | Petrarch and Boccaccio | Harrison | 2005 |
| ITALGEN | 253E | Marinetti & Futurism | Schnapp | 2004 |
| ITALGEN | 284 | Philosophy and Poetry in 20th c. French and Italian Theory | Wittman | 2005 |
| ITALGEN | 288 | Decadence and Modernism from Mallarme to Marinetti | Wittman | 2005 |
| ITALGEN | 321 | Giambattista Vico | Harrison | |
| ITALLIT | 127 | Inventing Italian Literature: Dante, Boccaccio, Petrarca | Schnapp | |
| ITALLIT | 139 | Thematics of Twentieth-Century Italian Poetry | Lopez | 2006 |
| ITALLIT | 230 | Ariosto and the Epic Tradition | Springer | |
| ITALLIT | 245 | Tasso and the Italian Baroque | Springer | |
| ITALLIT | 271 | Between Fiction and Essay | Coda | 2004 |
| JAPANGEN | 166 | Japanese Buddhism | Odagiri | 2006 |
| MTL | 334A | The Modern Tradition I | Moya | 2006 |
| MUSIC | 312A | Aesthetics and Criticism of Music: Ancients and Moderns: Plato to Nietzsche | Berger | |
| MUSIC | 312B | Aesthetics and Criticism of Music: Contemporaries: Heidegger to today | Berger | |
| OSPBEIJ | 16 | Philosophy and Religion: East and West | Zhao | 2006 |
| OSPFLOR | 117V | The Industrial Revolution & its impact on art, architecture, & theory | Neckenig | 2004 |
| OSPFLOR | 160F | The Making of Literary Identity: from Dante to Machiavelli | Bruscagli | 2002 |
| OSPFLOR | 229F | Boccaccio's Decameron | Harrison | 2002 |
| OSPKYOTO | 31 | Space in Japanese Culture | Gumbrecht | 2004 |
| OSPKYOTO | 236F | Dante's Inferno | Harrison | 2002 |
| OSPPARIS | 64 | Paris of the Surrealists | Lee | 2005 |
| OSPPARIS | 86 | Sartre and Foucault | Rorty | 2003 |
| OSPPARIS | 107Y | The age of cathedrals: religious art & architecture in med. France | Deremble | 2004 |
| OSPPARIS | 112K | Philosophies of Technology | Gumbrecht | 2004 |
| PHIL | 103 | 19th-Century Philosophy | Wood | 2006 |
| PHIL | 112/212 | Socrates' Philosophy | Staff | |
| PHIL | 127/227 | Kant's Critique of the Power of Judgment | A. Wood | 2005 |
| PHIL | 132/232 | Existentialism | Anderson | 2006 |
| PHIL | 133/233 | Major Figures in 20th c. Philosophy | Follesdal | |
| PHIL | 134/234 | Phenomenology, Existentialism, and Hermeneutics | Follesdal | 2005 |
| PHIL | 134/234 | Phenomenology and Contemporary Continental Philosophy | Follesdal | 2004 |
| PHIL | 135/235 | Wittgenstein | Hills | 2005 |
| PHIL | 138/238 | Recent European Philosophy | Hills | 2003 |
| PHIL | 173 | Ethics and the Arts | Friend | 2002 |
| PHIL | 173A | Aesthetics: Metaphor across the Arts | Hills | |
| PHIL | 193D | Camera Arts: Technologies and Values | Hills | 2004 |
| PHIL | 193L | Montaigne | Anderson | 2005 |
| PHIL | 193Q | The Art of the Movies: Story, Drama, and Image | Hills | 2006 |
| PHIL | 193X | Dialogues as Philosophy and Literature | Wood | 2002 |
| PHIL | 193Z | Theoretical Roots of Contemporary Criticism | Hussain | 2004 |
| PHIL | 194B | Beauty and other Forms of Value | Hills | |
| PHIL | 194E | Beauty and other Forms of Value | Hills | 2005 |
| PHIL | 195A | What is an Emotion? | Bloser | 2004 |
| PHIL | 236 | Aesthetics | Hills | |
| PHIL | 237 | Nietzsche | Anderson | 2004 |
| PHIL | 237 | Nietzsche | Hussain | 2003 |
| PHIL | 253E | French Social Thought from Durkheim to Bourdieu | Dupuy | 2004 |
| PHIL | 256E | Political Anthropology from Rousseau to Freud | Dupuy | 2005 |
| PHIL | 275 | Marx and Weber | Satz | |
| PHIL | 285A | Intersubjectivity | Follesdal | 2004 |
| PHIL | 315 | Enlightenment | Wood | 2003 |
| PHIL | 325 | Modern Seminar | Anderson | 2006 |
| PHIL | 335 | Topics in Aesthetics | Hills | 2006 |
| PHIL | 375 | Philosophy and Literature | Anderson, Landy | |
| POLISCI | 130A | History of Ancient Political Thought | Connolly | |
| POLISCI | 130C | History of Political Thought III: Freedom, Power, and Democracy | Stone or Kelts | |
| POLISCI | 132R | Rousseau and his Times | Okin | |
| POLISCI | 255J | Political Theory and Literature | Jacobsen | 2002 |
| POLISCI | 338G | Political Anthropology from Rousseau to Freud | Dupuy | 2005 |
| POLISCI | 338H | French Social Thought from Durkheim to Bourdieu | Dupuy | 2004 |
| RELIGST | 19B | Philosophy and Religion: East and West | Zhao | 2006 |
| RELIGST | 177 | Religion, Pantheism, and Atheism | Peperzak | 2003 |
| RELIGST | 196T | Introduction to Heidegger | Sheehan | |
| RELIGST | 215 | Ancient Asceticism: Self Improvement Practices in Greek, Roman, and Jewish Belief Systems | Gleason, Gregg, Kalleres | 2004 |
| RELIGST | 241 | Asceticism in Christian Antiquity | Gleason, Gregg, Kalleres | 2004 |
| RELIGST | 244 | Reconstructing Religion: Friedrich Schleiermacher | Peperzak | |
| RELIGST | 245 | Religion, Reason, and Romanticism | Sockness | 2005 |
| RELIGST | 251 | Indian Devotional Poetry | Hess | |
| RELIGST | 256E | Political Anthropology from Rousseau to Freud | Dupuy | 2005 |
| RELIGST | 268 | Model Selves: Francis of Assisi | Gelber | |
| RELIGST | 271A, B | Dante's Spiritual Vision | Yearley | 2005 |
| RELIGST | 274 | From Kant to Kierkegaard | Sockness | |
| RELIGST | 275 | The 19th c. Anti-religious Underground: Feuerbach and Nietzsche | Harvey | 2004 |
| RELIGST | 275/375 | Kierkegaard and Religious Existentialism | Sockness | 2005 |
| RELIGST | 276 | Kierkegaard | Harvey | |
| RELIGST | 335 | Enlightenment Seminar | Sockness | 2006 |
| RELIGST | 338 | Medieval Seminar | Gelber | 2006 |
| SLAVGEN | 145/245 | The age of experiment | Greenleaf | 2004 |
| SLAVGEN | 146/246 | The age of transgression | Safran | 2004 |
| SLAVGEN | 147/247 | The age of [war and] revolution | Freidin | 2005 |
| SLAVGEN | 148/248 | The age of dissent | Freidin | 2006 |
| SLAVGEN | 151/251 | Dostoevsky and his Times | Frank | 2004 |
| SLAVGEN | 155/255 | Chekhov | Safran | 2004 |
| SLAVGEN | 156/256 | Nabokov and Modernism | Greenleaf | 2004 |
| SLAVGEN | 161/261 | Poetess: The Grammar of the Self when the Poet is a Woman | Greenleaf | 2006 |
| SLAVGEN | 165/265 | Truth Games (Autobiography) | Greenleaf | 2004 |
| SLAVLIT | 187/287 | Russian Poetry of the 18th and 19th Centuries | Fleishman | |
| SLAVLIT | 188/288 | From Alexander Blok to Joseph Brodsky | Fleishman | 2006 |
| SLAVLIT | 190/290 | Tolstoy's Anna Karenina and the Social Thought of its Time | Freidin | 2004 |
| SLAVLIT | 200 | Proseminar in Literary Theory and Study of Russian Literature | Freidin | |
| SLAVLIT | 227 | Boris Pasternak and the Poetry of the Avant-Garde | Fleishman | |
| SLAVLIT | 278 | Tolstoy | 2004 | |
| SLAVLIT | 305 | Russian Critical Traditions | Safran | 2004 |
| SLAVLIT | 310 | Civilizing Process: Modern Russian Literature Through Paradigms of Society and Culture | Freidin | 2005 |
| SPANLIT | 139 | Spain Reimagined: The Generation of 1898 | Fernández-Medina | 2006 |
| SPANLIT | 140 | Introduction to Methods of Literary and Cultural Analysis | Rosa | 2005 |
| SPANLIT | 149 | Construction of Subjectivity in Brazilian Prose & Poetry | Aguilar | 2004 |
| SPANLIT | 165Q | Machado, Jiménez, Lorca: An Exploration of Self & Society… | Predmore | 2004 |
| SPANLIT | 242 | The Boom of the Latin American Novel | Ruffinelli | 2005 |
| SPANLIT | 269 | Borges | Rosa | 2006 |
| SPANLIT | 278 | Senior Seminar: Democracy & Lit. in Latin America | Rosa | 2004 |
| SPANLIT | 338 | About Ortega y Gasset | Gomez | 2003 |
| SPANLIT | 339 | Philosophy in Spain 1850-1935 | Gumbrecht | 2005 |
| STS | 102/202 | Science, Technology, and Art: The Worlds of Leonardo | Findlen | 2006 |